Category Archives: Noodles

Songwriting – Where Are Your Songs?

Sometimes I’m asked at gigs and it catches me off guard. It’s always a difficult question to answer succinctly to a stranger, and causes me to stutter and stammer incoherently. “I’ve always done it”, is as lame a reason as … Continue reading

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There are three types of musical memory…

…that I can think of: namely; (1) muscle memory which enables the fluent playing of the guitar, (2) that which enables aural recognition of intervals when hearing them and, (3) that which enables recall of which chords are diatonic to … Continue reading

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Too Much Introspection?

Lurking around online guitar communities one’s bound to come across a variety of opinions on this, that, and the other to do with the best example of this and the best way to do that. It’s all excellent fodder for … Continue reading

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Music-making and chaos

My musings on musical invention earlier have led me on, by way of consideration of the randomness of the creative process, to wondering whether chaos, in it’s scientific sense, might have some part to play. As difficult as it is … Continue reading

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Songwriting and “Inspiration”

What is the nature of the faculty for inventing music? When I think about “inspiration” – that white heat of spontaneous creativity – which may last moments only, I realise that there is no analytic thought involved. It comes as … Continue reading

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Noodling with form

One of the effects of my listening to so much classical music – particularly symphonies – is that I appear to have developed an ear for forms such as rondo, sonata, minuets, etc. Out of curiosity, I’ve also read a … Continue reading

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Noodling with words

As I wander from internet forum to bulletin board and back again, I come across certain topics that come up repeatedly like the sunrise. One of these is a question about the relative priority of music or lyrics when it … Continue reading

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Noodling with scales

How many useful scales are there – or how many would be of interest to me? Modes are one set of scales that seem to get an inordinate amount of attention from fingerstyle guitar players (and others) these days. I … Continue reading

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Noodling with harmony

The guitar seems to have a tonal centre around G major meaning the further you go to the dominant and sub-dominant sides from there, the tougher it becomes to play. (I’m talking acoustic fingerstyle guitar as distinct from, say Jazz, … Continue reading

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Diminished 7th Chords

These mongrel chords are the Crewe Junction of the harmonic world. You can come from many places to them and depart from them to many more. But they worry me insofar as I suspect they could be used to cover … Continue reading

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